ENDLESS, MINDLESS, ENDLESS MINDLESS ENDMIND LESSLESS YESSSSSSSS
Author Archives: Billy Beyond
An AMAZING Alexander Robotnik Italo Mix
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“I mean, it used to be so romantic to go to a movie— to sit in a great big theater that had a balcony, and boxes, and fabulous gilt trim on the walls, and a big red velvet curtain. Now we go to horrible unadorned grey rectangles where the sound bleeds in from the grey rectangles right next door. It’s sad.” -Nora Ephron
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fripperiesandfobs: Headdress designed by Oliver Messel for Vivien Leigh in Caesar and Cleopatra (1945) From the V&A
The Amazing Alexander Robotnik Italo Mix
It’s Always Italo Time Around Here
Enjoy “Love Is On The Rocks” ( Rhythm Stick Remix ) by Lama.
Rare and essential, this 12″ remix was a favorite of The Saint crowd.
… a Lucio Battisti cover!
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Salvador Dali, with his own creation of a diamond eyepatch, photographed by Philippe Halsman, 1947 (via)
Whitney
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A Belated Happy New Year
Chinese Malia 2010
Flowers Falling Into Your Hair
Erwin Blumenfeld. Inspiring innovator.
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Codie Ravioli’s Trashy Glamour Shot
After the Antonio book party last year Codie and Connie and I were walking towards Fifth and we were feeling pretty fabulous. Somehow I became convinced that nothing was more glamorous than the reflected street lights on a massive pile of garbage near the corner. Instantly Codie became airborne and did a model’s dive onto the heap. “Trashy glamour,” we screamed!
Snap.
We miss Codie terribly. She might have been the nicest person in New York. She had pure intentions and such a unique and brazen type of charm. Peace and endless glamour to Codie Ravioli. ( oh my God, I’m so upset again… )
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maccosmetics: M•A•C Backstage at Jeremy Scott Fall 2015, where makeup artist Kabuki created zany painted eye designs that captured the child-like wonder of the show. AW15 New York Fashion Week.
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wgsn:
Always living up to his expectation, @ITSJEREMYSCOTT threw out some pretty wacky styling this #NYFW #Madefw with colourful paint-ridden fringe cropped hair and ultra heavy handed eye shadow.
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