Marianne Puts It Plainly

Hell no to that! PLEASE SHARE THIS!

Anyone Can Wear A Scarf

Christy Minstrel (scarf fan, aficionado and stylist) encourages scarf lovers and others to visit the source of so many silky squares – “Vera Paints A Scarf” at The Museum of Arts and Design in NYC and yes, there will be ladybugs.

silence please.
Go Vera!

Click the pics to read all about it and get tickets.

STYLE NOTE: A scarf, with sunglasses and lipstick can constitute a satisfying and time saving Full Drag.

The New International Male

ORTTU. Our West Coast Reporter has just wired this urgent/not urgent fashion update to our Trend Alert Center. These, “swishy versus tight” garments definitely an Internationale Male flavor and just as “Yes/No” as the original catalog collections. Daring and draped, I Love/Hate all of them. CHECK IT OUT.

Peter McGough’s Book is Out on Tuesday!

Book Launch: I've Seen The Future and I'm Not Going by Peter McGough in conversation with Christopher Bollen (Brooklyn Book Festival Bookends Event)

Tuesday Sep 17, 2019
7:00 pm – 9:00 pm

POWERHOUSE @ the Archway 
28 Adams Street (Corner of Adams & Water St. Facebook event found here.  A Brooklyn Book Festival Bookend event.

A memoir of New York in the 1980s and 1990s–a time of both enormous creativity and decadence–told by an artist who was at the center of it all, including the AIDS epidemic, and survived to tell the story.

Peter McGough–half of the team of McDermott & McGough, artists known for their painting, photography, sculpture, and film–writes about the trauma of growing up gay in 1950s suburbia; about the East Village art scene of the 1980s when he knew Keith Haring, Jean-Michel Basquiat, Andy Warhol, Jeff Koons and Julian Schnabel; and about his meeting David McDermott who would profoundly change his life by insisting they dress, live, and work like men in the Victorian era. From then on, wherever they lived–in New York City or in upstate New York–they lived without electricity or any other modern conveniences. Their art, called “Time Maps” was concerned with sexuality, bigotry, and AIDS, and their photography–using cyanotypes and platinum plates–had great success at major galleries and museums around the world. Eventually, however, McDermott’s incendiary temper and profligate spending would bankrupt them: McDermott would move to Dublin, and McGough, trying to work in New York, would discover that he had AIDS. I’ve Seen the Future and I’m Not Going is a poignant, often devastating, often humorous, entirely singular memoir.

peter mcgough

PETER McGOUGH is an artist who has collaborated with David McDermott since the 1980s. They are known for their work in painting, photography, sculpture, and film. He divides his time between Dublin and New York City.

Do You Look Like Doris Day?

This contest is still going on.

If you think you look like Doris Day, congratulations and why not show it off? Enter the Billy Beyond Doris Day Look Alike Contest and you could win over 70 hours of Doris Day digital entertainment! To enter, look, feel like or channel Doris Day, take a pic and email it to auntalice@gmail.com. The winner will receive a folder of 37 Doris Day movies with hours of rare shorts and trailers. (Theatrical trailers, not like mobile homes.) This contest will be running until there is a winner.

Look like Day? Enter today!

Feel like Doris? Who doesn’t?

Channeling Doris? Prove it.

I expect this contest will be pretty easy to win because let’s face it…nobody is going to enter.

I Like You – Sandol Stoddard and illustrator Jacqueline Chwast

“Ponder for a long time whether you shall admit a given person to your friendship,” Seneca counseled two millennia ago in his timeless meditation on true and false friendship, “but when you have decided to admit him, welcome him with all your heart and soul.”

I often ponder friendship — that crowning glory of life — and the strain of protecting its sanctity from the commodification of the word “friend” in this age of social media. Adrienne Rich exposed the naked heart of it in her bittersweet assertion that “we can count on so few people to go that hard way with us.” I side with astronomer Maria Mitchell in that the few who do accompany us intimately along the walk of life shape who we become, and with poet and philosopher David Whyte in that “all friendships of any length are based on a continued, mutual forgiveness.”

But what, really, is the meaning and measure of friendship? Like most things of beauty, it is slippery to define yet deeply felt. Paradoxically, devastatingly, it is often recognized most acutely through its sudden loss. It lives most intimately not in the grand gestures but in the littlest things that add up, in the final calculus of life, to the bigness of any true bond.

That is what children’s book author Sandol Stoddard and illustrator Jacqueline Chwast explore with immense sweetness and sensitivity in the 1965 gem I Like You (public library) — one of the tenderest and most touching presents I’ve ever gotten, from one of my dearest friends, and the platonic-love counterpart to Elizabeth Barrett Browning’s classic romantic-love sonnet “How Do I Love Thee?”

Stoddard — who wrote more than twenty children’s books and the first major book advocating for human-centric end-of-life care, lived to be 90, and died the mother of five children, ten grandchildren, and ten great-grandchildren — was once asked to identify the underlying theme across all of her books.

She answered simply, “Love.”

And love — that sweetest, most knotless and untroubled kind — is what radiates from these simple, surprisingly profound verse-like meditations on friendship, illustrated with the kindred sensibility of Chwast’s simple yet richly expressive black-and-white line drawings.

Published the same year as Love Is Walking Hand in Hand — that charming catalogue of little moments that define love, channeled by the Charlie Brown, Lucy, and the rest of the Peanuts — the book confers upon friendship the delight and dignity we tend to reserve, foolishly so, for romantic love only.

More than half a century later, I Like You remains a timeless treasure, as delicious to give and as it is to receive. Complement it with Little Prince author Antoine de Saint-Exupéry on losing a friend and Kahlil Gibran on the building blocks of meaningful connection, then revisit two other charming picture-books about friendship from the same era: Ruth Krauss’s infinitely delightful I’ll Be You and You Be Me, illustrated by the young Maurice Sendak, and Janice May Urdy’s clever reverse-psychology gem Let’s Be Enemies, also illustrated by Sendak, just as he was beginning to dream up Where the Wild Things Are.