This mix is sorta more of the same as the last one, like the one I played at Martin Keehn last week. There was too much, it needed a supplement. Basically the same songs I have been dancing to for thirty years. LOL. Grandpa still likes to get down…just a little slower at times. Mostly disco tracks, but somehow Adele got right in there too…keep it loose and move around.
Traffic jams, fire trucks and the sounds of what was.
This track is soooo tight it turns me from a 32 to a 28. I lose a quarter pound each time I play it. It was written by Eric Matthew (of Gary’s Gang fame) and Darryl Payne in 1982 and appeared on various dance labels here in the US and in Canada. When the lyric says, “gimme some of that ” I make a very pained expression and usually bust a one-leg-up side-shuffle type of move. Funkeeee!
Now, France Jolie – NOW!
Prelude Records people, the soundtrack to my life. 💋
Enjoy over two and a half hours of non-stop funky, swishy, classy New York City style disco-era classics. Every one of them is a personal favorite of mine. These are the exciting sounds and intricate rhythms of Manhattan – City of Satin. The mood is elegant funk that leads us to an elevation in spirit – a higher level of disco-teric understanding. There is celebration in the music but it’s not without it’s natural counterpoint, a certain disco sadness. There are instrumental journeys, empowering chants, soaring vocal duets and there is The Hustle. Throughout the collection there remains an authentic musical mastery of the form that is as powerful and magical today as it was thirty-five years ago.
This is serious disco, people.
“Semper Disco Semper Boogie Semper Amare”
My cover model is the embodiment of elegant funk, Miss Pat Cleveland.
Now, this one really was my jam. Empress. Get into her. Sister Dimension owned this track. This was the sound of Whisper’s ( Sunday night at Pyramid. ) The levels on this rare 12″ mix are all over the place – so be ready for some ear bleed. It’s worth it though – the “rap” is hilarious but then again, this was 1981. Any lyric that starts off with a desperately shreeking, “Somebody help me!” is good for me. I hear you babe… I’m dying to be dancing.
Prelude Records made it happen. -Written and performed by Crown Heights Affair. – Produced my William Anderson and Raymond Reid.