They don’t even say that anymore….maybe once in a while I hear it…
¡No se apoye contra la puerta!
I think we have a definitive answer on that one. Whodini? I believe you know quite a few things about freaks. Can you let us know when they come out, what they often wear and how we can be sure about just exactly who these freaks are or might be?
Whodini The Freaks Come Out At Night
Thank you.
Whodini Big Mouth
Okay? Showing Out. Coming correct and garnering international acclaim with our initial notices. We are GAG. New York was GAGging.
Gays Against Guns, a new gun-control advocacy group, held “NRA Stay Away” and “NRA prepare to GAG” signs to wild applause.
According to a pamphlet, the group was formed to “stop the life-threatening convergence of homophobia and flawed gun policy.”
The group’s mission is to formalize “our responsibility” and create “our place within the larger pre-existing gun control movement through action.”
Jessica Dickerson, 32, who is a lesbian from Tampa, Fla., said she supports the gun-control issue.
“Things like Orlando are going to happen and the fact that anyone can carry a gun is a problem,” she said. “Guns are made for one purpose and if you have a gun, you’re probably going to use it. Peoples lives shouldn’t end this way. This is about love.”
The issue in Orlando was targeted, she said. “And now we feel particularly threatened. And guns were the problem.”
Signs referencing gun violence dotted the entire parade.
Earlier, a group of people covered in white veils, some carrying white parasols marched in a moment of silence for the victims.
And around 2 p.m., on the corner of West 8th Street and Fifth Avenue, one marcher held a sign reading: “Thou shalt not inflict thou hate on others.”
Marchers fell to the ground in front of the Stonewall Inn, in a form of protest known as a die-in, as another marcher, Bruce Kreuger, 65, stood holding a sign written in Arabic.
It said, he said, “Gays against guns.”
“I’m not Arab and I’m not gay but I’m really, really against guns,” Mr. Kreuger said. “I thought when I saw the sign if there are any gay Muslims out there, they’d take a look at that and say, ‘Hey I’m not alone.’”
was the untimely death of Miss Judy Garland. When Judy died, we all needed a drink together.
Allow me to let Tennessee Williams describe her powerful magnetic appeal that has rarely been put so succinctly.
(Thanks to DJDemille for bringing this bit of Judy Study forward.)
“What she had was a pure talent. Whatever training she had or used or needed came from performance, from experience, from sharing. The talent poured from her like sweat or blood, and I think of those fluids when I think of her performances–not the fluids which did so much to calm or seduce her when she did not have an audience. I have drowned in those fluids myself. There was no effort with Judy–other than to stay alive and to show up and to keep the standard so high for so long. We live now in a world of proficiency and efficiency and managers of one minute who get a particular job done. No flab; no fuss. I don’t like this new world. I like the world of pure talent fully given; lives fully lived; hearts fully open. Try to do whatever it is you do with the passion and commitment and terminal feeling that Judy had. None of us can. The talent was too big, and all of the recipients of this talent far, far too small.” –Tennessee Williams on Judy Garland/Interview with James Grissom, 1982/Follies Of God
Let the pride week-end begin!
(artwork created by Duke Todd)
Please take a moment this weekend to thank the living memory of Miss Judy Francis Ethel “Baby” Gumm Garland for starting gay liberation without even trying. Now you youngsters who don’t know much more about La Garland than Dorothy Gale and Toto in Oz, you all git to studyin’!
A well rounded knowledge of our gay liberation history demands a more than superficial study of Judy – made so easy via Youtube – and besides that, if you allow yourself to feel that famous force, it will be hard to stop wanting more. It’s basically gay crack.
PLEASE BE CAREFUL AND WATCH JUDY RESPONSIBLY.
If you find you have a problem with watching too much Judy or you find it difficult to stop watching Judy or that you find yourself thinking about Judy (like) all the time, then please call me. There is help. I can talk you down and help you find a local barstool where you can share anonymously (because you lost all their numbers) with “friends” who have been there just like you.
Bitch be BUGGIN, YO!!!!
Something about a strawberry moon?
Today our Shalamar study group examines the sacred trio’s 1982 single,”There It Is” from the album, “Friends.” This is the blessed beat and heavenly sound of Solar Records. Inside the lyrics we find a piece of true dance-floor poetry. Effective, beautiful and transporting, the poem uses a simple simile on top of a sound that seems to smile as it sways softly over it’s central yet unwritten theme, “the sometimes turbulent waters on the ocean of love.”
Here now, the standard King James 12″ version for your notes:
Composers – Nidra Beard, Dana Myers and Charmaine Elaine Sylvers
VERSE 2 –
In the sea of love we set our sails when waters were rough,
Two in search of love with no direction,
Fish were biting at the time when catching wasn’t enough,
We couldn’t make a sport of our affection.
And who would dream that we would sail into each other?
Ooh girl, I never felt the wave of love so strong,
And this love I never felt in any other,
I trust it like a lighthouse guides a ship to land,
I found it when you touched my hand.
( Extra credit and no homework work work work work to anyone who can get Rhianna to read this. )
Hey Howard Hewitt, LOOKIN GOOD ! ! ! ; )
Howard’s time tested talent is still makin’ Akron proud.
AMEN.
Judy Garland singing ‘‘The Joint Is Really Jumpin’ In Carnegie Hall’‘ in the MGM 1943 musical ‘’Thousands Cheer’‘
This gallery contains 3 photos.
For Immediate Release:
A collection of six original oils on masonite by Van Hoople circa mid-1950’s. Four are in original frames from the Hillside Gallery in Hollywood,CA. I put this group together over fifteen years of collecting. They represent the artist’s dry-brush period and believe me, it doesn’t get any drier than a mid-fifties Van Hoople oil on masonite. Even the frames are painted by the artist to match.
You may recognize the hourglass painting from the Amy Sedaris Book, I Like You in which it was featured.
Interested in one or all if them? They are for immediate sale.
Email me with inquiries – auntalice AT gmail DOT com
This gallery contains 10 photos.
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